This Land: Woody Guthrie’s America

John McCutcheon
This Land: Woody Guthrie’s America
Appalsongs 2011

May 13, 2012

John McCutcheon and friends have put together a fine tribute in celebration of Woody Guthrie’s centennial year. (July 14, 1912 – October 3, 1967) McCutcheon has chosen some of Guthrie’s well known songs and some not so well known. He has included a variety of instruments and performers that make Woody’s songs sound both fresh and familiar at the same time. There are optimistic songs like “Biggest Thing That Man Has Ever Done” and “This Morning I Was Born Again” and my favorite of these “Old Cap Moore” There are songs of tragedy, “ 1913 Massacre” and “Ludlow Massacre” a song about an incident between the striking United Mine Workers and the Rockefeller’s Colorado Fuel and Iron Company.

Adding to the musical and vocal mixture are Kathy Mattea, Maria Muldaur, and Willie Nelson and Tom Paxton. Stuart Duncan, Tommy Emmanual, Tim O’Brien appear through out the album with fiddle, guitar and mandolin, along with some great saxophone work by Bobby Read.

A tribute to Woody Guthrie would not be complete without including his signature song “This Land is Your Land”. And of course everyone sings along. The album ends with “Hobo’s Lullaby”, a song written by Goebel Reeves, a song Woody loved to sing.

Track List:
•Biggest Thing That Man Has Ever Done
•Mail Myself to You
•I Ain’t got No Home
•Deportee
•Harness Up the Day
•This Morning I was Born Again
•Pastures of Plenty
•1913 Massacre
•Pretty Boy Floyd
•Old Cap Moore
•Ludlow Massacre
•This is Our Country Here
•This Land is Your Land
•Hobo’s Lullaby

You can hear these and other Woody Guthrie songs on “The Village Coffeehouse,” Noon – 2:00 PM Monday thru Friday

Reviewed by Roger Wise
Fridays at the Coffeehouse – KWMV 95.9 FM

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Pleasures, But Not So Guilty

Every so often and maybe more often than not, I plan to call your attention to some of my “guilty pleasures” – recordings that strike such a resounding nerve in my psyche that I find myself listening to them again and again, often several times in a row. Often it’s a particularly fine melodic hook that snares me first and keeps me coming back, but for really lasting power, the lyrics come into play — as smile-inducingly silly, or “I just don’t get it no matter how many times I listen,” or as emotional heart-grabbers.

Here are three of my all-star guilty pleasures from the realm of indie rock/pop:

The Replacements: “We’ll Inherit The Earth” from the album, Don’t Tell A Soul, 1990
Ah, The Replacements — Minneapolis bad-boys of the 80s and early 90s, punks and drunks and rowdy entertainers, legends of First Avenue, the famous Minneapolis music space.

“We’ll Inherit The Earth” is the ersatz title song from the band’s second to last album, 1990’s Don’t Tell A Soul. (The title is whispered near the end of the song.) This album was softer and more pop than earlier albums, especially the raucous early albums. By this time the harder core punk members of the band had already left or had been fired. (Of the four original Replacements, the brothers Bob and Tommy Stinson were gone and only lead Paul Westerberg and Chris Mars remained.) Why this song? The spacey production, the cool pop melody, the occasional rough spots, and the lyrics that still have some of the punk brio:

We’ll inherit the earth, but we don’t want it
It’s been ours since birth, so whatcha doin’ on it

Yeah, whatcha doing’ on it, eh? The song makes little sense to me but it sure is great to listen to.

Radiohead, “Fake Plastic Trees” from the album, The Bends, 1995
Oh, how incredibly sweet this melody! I listened to the song three or four times in a row on several occasions after it first came out. For those of you who weren’t tuned into Radiohead in the early days, this song appeared on their second album, The Bends, in 1995. The Bends is an album of almost classic pop ballads, really. OK Computer came out next in 1997 and from that point on, Radiohead’s sonic personality (abstract, distracted, futurist, mind-mucking, incredibly complex) was established. But even on this, their pop album masterpiece, “Fake Plastic Trees” was largely overlooked on the airwaves but it’s the song I keep coming back to. The melody may be pop but the lyrics are not at all sweet:

She looks like the real thing
She tastes like the real thing
My fake plastic love

But I can’t help the feeling
I could blow through the ceiling
If I just turn and run

And that’s what makes this song a great one for me.

Steve Mason, “Boys Outside” from the album, Boys Outside, 2010

I’ll bet that almost no one reading this has ever heard of the Scottish musician/songwriter/vocalist, Steve Mason. He was a member of The Beta Band and recorded solo albums as King Biscuit Time and Black Affair. Boys Outside is the first album he recorded under his own name, but he largely remains under the radar. The title track hooks me with a gorgeous melody, an infectious, insistent beat, and a dark, sad, emotional story:

I was with those boys who turned you round
Showed you yourself and then we knocked you down
If you come outside with us I’ll show you why
Because the things I’ve seen in my life would make you cry

Spare instrumentation – piano, acoustic guitar, bass, light drum-tapping, and a light electronic touch make the story stronger and more effective (and affecting). When I listen to this song, if I’m moving, I stop; if I’m standing, I sit down; if my eyes are open, I close them. It’s hard to let this go.

So there you have it for today, and of course I don’t feel at all guilty about these pleasures. For around three bucks you could download these three tracks (from amazon.com or other sources) as see if you’re hooked as strongly as I am. I’d love to hear what you think and to hear your guilty pleasure suggestions. Use the Reply box below to respond.

Will Sibbald
KWMV 95.9 FM

NOTE: These songs and many more by The Replacements, Radiohead, and Steve Mason can be heard in rotation on the Alternative Universe show.

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Songs of Loving, Leaving, and Life on the Road

Jack Saunders, A Real Good Place to Start
Release Date: 2012
Label: White Cat Records
www.jacksaunders.com

Wherever I’ve lived there has always been that one band that I’d always look for if I was in the mood for live music.  In Chicago it was John Prine joined by Steve Goodman and Jethro Burns.  In Warsaw it was Tomek Swed with Janusz Tytman.   And in Houston it was the Jack Saunders Band.  Saunders has been a leader in the Houston/Austin folk
scene for many years on the strength of his songwriting, his style and his stellar playing.

When not producing CDs for singer-songwriters in Texas, gigging with his band or playing bass with friends like Ray Wylie Hubbard and Greg Trooper, he finds time to record his own projects.  Following up his last CDs, “Blue Shadows” and “Living for the Sunshine”, we now have “A Real Good Place to Start”

There are songs about love (“Someone Made for You” and “Elegant Grace”), leaving (“A Real Good Place to Start”) and life on the road.  The “Doors of Amsterdam”, for example, is a picture postcard from Holland.  Then there is the bouncy “I’ve Got a Thing For You” that sounds like one from the Buddy Holly catalogue.  You’ll be playing that one over and over.  For good measure, one cover is included, a swampy version of Tom T. Hall’s “That’s How I Got to Memphis”.

Saunders produced, engineered, and mixed the CD as well as playing guitar, bass and harmonica.  He is joined by some long term band mates including Rick Richards on drums and Rick Poss on guitar.

As he says, “A fool’s refrain from a poet’s heart, who’s looking for a real good place to start.”  If you’re looking for a bag of songs from a first class singer-songwriter this would be, well, you know, a real good place to start.

Reviewed by Gary Taylor
KWMV – 95.9 FM
Friday at the Coffee House;  Friday Noon-2:00 PM

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Dan Crary & Thunderation


Dan Crary and Thunderation, Perfect Storm
Label: Blue Night Records
Release Date: July 1, 2011

Dan Crary, Steve Spurgin, John Reischman, Don Stiernberg, Keith Little, Luke Dewhirst and Martin Stevens are Dan Crary and Thunderation. Dan and Steve are the only musicians to play on all tracks. Of the eleven tracks four are traditional and played in the flatpick bluegrass style with Dan Crary’s “Newgrass” signature. The vocals are shared by Dan and Steve with Steve singing two original songs, “Muley was a Railroad Man” and “Tumbleweed Town”. Spurgin sings the Gillian Welch tune “One More Dollar” and Bob Dylan’s “Girl from the North Country”. Crary is heard on “Sail Away Ladies”, “I’d Do It Again”, “Highway 17″, and “Long Journey Home”. “I’d Do It Again” is from Gordon Lightfoot.

Of course, Perfect Storm wouldn’t be complete without some inspiring instrumentals such as Crary’s own “Thunderation,” the traditional “Deep River Blues,” and the thoughtfully expressive “Suite 222″ medley of Shenandoah, Gold Rush, and Soldier’s Joy.

Dan played with the “BCH” trio with Byron Berline and John Hickman and the multi award winning band, California. This is great recording that will further endear Mr. Crary to his many fans around the world.

Listen to these songs when they are played on Route 96 Roadhouse, The Village Coffeehouse and The Sagebrush Sessions on KWMV

Reviewed by Roger Wise
Fridays at the Coffeehouse – KWMV 95.9 fm

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This Bird Sings and Whistles

Andrew Bird, Break It Yourself
Release Date: March 6, 2012
Label: MOM & POP MUSIC
www.andrewbird.net/home/

Just who is Andrew Bird, anyway? Well, he’s a songwriter, vocalist, violinist, professional whistler, arranger, soundtrack composer, and sort-of-geeky language and lyrics guy. And under what “genre” do you file his recordings? Um, try a saute’ of Indie Folk/Rock/Pop with a dash of Jazz that contains some spice that you like a lot but just can’t identify. But you like it well enough to come back to it again and again, and it tastes better every time.

His new album, Break It Yourself, is excellent overall and probably contains the most addictive melodies of all his recordings. On the album, Bird plays violin, guitar, and as on his previous recordings, his intriguing whistling becomes another instrument. The band includes Martin Dosh on drums, Jeremy Ylvisaker on guitar and keyboards, and Mike Lewis on bass and tenor saxophone.

I had the pleasure of seeing Andrew Bird perform recently at the Howlin’ Wolf here in New Orleans, and as is typical of shows following a new release, most of the songs came from the new album. (I’m lucky to live in New Orleans half the year.) Bird’s recordings are meticulously constructed, arranged and written, and you can imagine the laboring over the details that goes on in the studio. It was interesting for me to see that as a live performer he was reserved and just as meticulous. But the kids loved it, as did I. (I say “kids” because I was probably the oldest “kid” in the room, by decades, not just years.)

Back to the new album. My favorite track, and perhaps my favorite of all Andrew Bird songs, is “Danse Caribe”. It is at once gorgeous and beautifully put together while at the same time puzzling both lyrically and in the arrangement. The first two verses suggest a casting off from one’s current state of affairs and then there’s the chorus:

Here we go mistaking clouds for mountains all
Here’s the thing that brings the sparrows to the fountains all
Here’s the thing that makes you run for the highlands all
Here we go mistaking clouds for mountains/Autonomy

OK, I’ll have to think some about that. The song features a lively steel drum interlude (the “Danse Caribe” of the title) followed by a sort-of Appalachian/Rock/Fiddle/Jam section. These interludes don’t seem to fit the lyrics but sure are beautifully played and enjoyable, after which the song closes with the chorus. The beauty of Andrew Bird is that is that if you feel that the lyrics don’t make sense or are over the top, you can tune them out and think of the vocals as instruments, and still enjoy the song thoroughly. And chances are you’ll listen again and again, and at some point it all may make perfect sense, but even if it doesn’t, there’s no disappointment because the quest for answers happily continues, which is why Andrew Bird is such a great artist.

Will Sibbald
KWMV FM 95.9

Note: You can hear Andrew Bird’s albums in rotation on KWMV’s Alt Universe show.

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B3 Or Not To…


Deep Blue Organ Trio, Wonderful!
Label: Origin Records
Released: 2011
deepblueorgantrio.com/

The Hammond B3 organ has been around since 1927. It was a mainstay in southern and rural minority churches because it could replicate the sound of a pipe organ without the cost. The natural progression was for the sound to migrate into the popular music of the time — Jazz. Some of the notable artists that have embraced this instrument over the years are Jimmy Smith, Jimmy McGriff, Dr Lonnie Smith, Herbie Hancock, Keith Jarrett, Shirley Scott, Jack McDuff, Joey DeFrancesco, and Fats Waller.

Last month I had the pleasure of experiencing a live performance by the Deep Blue Organ Trio (DBOT) out of Chicago. And what a treat that turned out to be! The trio is comprised of Bobby Broom (Guitar), Greg Rockingham (Drums), and Chris Foreman (Organ). Wonderful! is their 2011 tribute to the compositions of Stevie Wonder and is their fourth CD. The Wall Street Journal picked this as their favorite Jazz CD of 2011. It also hit the number one CD spot on the Jazz Week Jazz Album Chart; and the College Music Journal chart.

Having performed together since 1997, DBOT are instinctive in their comfort level with and understanding of each other. This allows them to transcend the lyrical progressions and explore the music individually and collectively. The entire Wonderful! CD is a celebration and a joyous presentation of Mr. Wonder’s music. The group moves easily through the Stevie Wonder standards and maintains respect to the traditional framework which encompass each work. Greg Rockingham’s pace is impeccable, Chris Foreman’s interpretations are exhilarating, and Bobby Broom’s string work is outstanding. This is a CD to enjoy during a quiet evening or on a drive through new environs. It is good to know that the Hammond B3 is alive and well thanks to the Deep Blue Organ Trio.

Roland Williams
KWMV FM 95.9

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It’s All About the Songs

Kevin Higgins, Find Your Shine
2009 Little Train Records LT-10142
http://www.kevinjameshiggins.com/

Kevin Higgins, on Find Your Shine writes in the style of Guy Clark, Robert Earl Keen, and Adam Carroll. These are personal story songs. There is a skill in turning a passing moment into a four minute slice of desert philosophy and Austin’s Higgins seems to have the formula.  The writing is poetic and private. It’s sensitive andsophisticated.  This is not music for playing, half listening, in the background.  It demands a focused attention. And the listener will be rewarded.

Kevin Higgins grew up in El Paso. The songs on his Find Your Shine CD were inspired by a revisiting of boyhood haunts in far West Texas and reliving those events through the wisdom of age.

The songs could be categorized as singer-songwriter in style, fading also into hill country Americana. The 10 tracks include “Monahans” (nominated for 2011 “Song of the Year” by the Texas Academy of Texas Music), about being a teen, and is set in the Dairy Queen. “Curtains” is built around the emotions of selling the family homestead, turning a “home into a house”. “The Levee Boys” is written in the Robert Earl Keen tradition in which real life situations can be muddy and the ending of the story might be left in doubt. Life is sometimes messy and as Higgins says “it ain’t always pretty, but you can’t hide from the truth”. The title track is upbeat and built around interesting town names around the country.

Higgins is backed here by a solid band including his touring partner, Barbara Malteze, on vocals and keyboard. But it’s really all about the songs.

Reviewed by Gary Taylor

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These Old Roots

THE HONEY DEWDROPS
THESE OLD ROOTS
http://www.thehoneydewdrops.com/

March 10, 2012

These Old Roots is the second album from a young husband and wife team that call themselves The Honey Dewdrops. Hailing from the foothills of the Blue Ridge Mountains in Charlottesville, VA, the Honey Dewdrops are Laura Wortman and Kagey Parrish.

Laura Wortman sings her own compositions and is paired with Kagey Parrish lead guitarist who sings harmony. Together, writing and singing in the veins of folk and old country music, Laura and Kagey have been touring the country over the past 4 years and have appeared on “A Prairie Home Companion” and have shared the stage with musical greats such as Carolina Chocolate Drops, Mary Gauthier, and Matt Flinner Trio.

These Old Roots begins with Kagey’s clean guitar work and old time harmonies on “Amaranth”. On “Test of Time” Laura sings of lasting love with a country yodel. “Sweet Heaven” starts with Kagey on the Mandolin and both voices blend together with a bluegrass sound. All the songs are original except “Can’t Get a Letter from Home” a traditional song from the singing of Addie Graham. The last song “That Good Old Way” has a great Appalachian gospel sound.

This CD was released in 2010. Going back to revisit the music here is better than I remembered.

The Honey Dewdrops will release their third album, Silver Lining, in late spring 2012.
The Honey Dewdrops will appear in Westcliffe at the High Mountain Hay Fever bluegrass festival July 13th and 14th.

These Old Roots is highly-recommended for those who like topnotch duet singing with roots in old-time and bluegrass.

Listen to these songs when they are played on “Route 96 Roadhouse” and “The Village Coffeehouse” on KWMV

Reviewed by Roger Wise
Fridays at the Coffeehouse – KWMV 95.9 fm

Posted in Alt Country, Bluegrass, CD Review, Country Music, Folk | Tagged , | 2 Comments

The Chieftains, 50 Years On


The Chieftains, Voice Of Ages
Release date: 21 February 2012
Label: Hear/Concord
www.thechieftains.com/default.asp

On February 21, 2012, The Chieftains released Voice Of Ages, an album celebrating their fifty years as a band. In this collaborative project produced by (Chieftains leader) Paddy
Moloney and T Bone Burnett, The Chieftains team with luminaries from the worlds of indie-rock (Bon Iver, The Decemberists, The Low Anthem), country and Americana (The Civil Wars, Pistol Annies, Carolina Chocolate Drops, Punch Brothers), and Irish and Scottish folk (Imelda May, Lisa Hannigan, Paolo Nutini). “With 50 years of glorious music behind us,” Paddy Moloney says, “I can think of nothing more exciting than to spend another 50 years collaborating with the best voices of the future.”

Founded in 1962, winners of 6 Grammy Awards and an Academy Award, The Chieftains have been ambassadors for and have popularized traditional Irish music around the world during their 50 year career. Over the years, some of the biggest names in music have worked with the legendary band: Sting, Van Morrison, Joni Mitchell, and The Rolling Stones among many others. While the band are not Irish music “purists,” they have shown again and again how the traditional relates to and influences the contemporary, a point sweetly realized in Voice of Ages as most of the tracks are traditional tunes rendered beautifully in the collaborations with these contemporary artists.

The release contains a second disc – a DVD featuring a 30-minute film, ”The Making of Voice of Ages” and The Low Anthem’s video of their haunting contribution, ”School Days Over,” which features the Castle Park School choir from Dalkey, County Dublin, prefacing the traditional song and singing in Gaelic. (For more on The Low Anthem, see my Feb. 6 2012 KWMV Music Blog post.)

There are several new “indie” groups on this record that I suspect you’ve not heard before but I think you should seek out. Highlights for me in addition to The Low Anthem are two tracks by Punch Brothers, an envelope-pushing sort-of bluegrass band now based in NYC, East Nashville indie-folk duo The Civil Wars, the Pistol Annies, a three-member sort-of-country-supergroup making a well-deserved splash, The Secret Sisters — two sisters from Muscle Shoals, Alabama, hard to classify but harmonies to die for, and the Carolina Chocolate Drops, a modern take on a traditional string band sound.

Will Sibbald
KWMV FM 95.9

NOTE: Tracks from this album can be heard on KWMV’s Village Coffeehouse show.

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The 82-Year-Old “Rising Star”

www.edreedsings.com

When we hear someone say, “Male Jazz Singer,” most of us envision the voices of Eckstein, Sinatra, Mahogany, or Feinstein to name but a few. However, the 2011 release of the third CD, Born To Be Blue, by Ed Reed ensures him a prominent place in our catalog of great jazz vocalists.

Ed was born in 1929 and promptly released his first CD, Ed Reed Sings Love Stories, in 2007 at the young age of 78. Not one to sit dormantly on his laurels, Ed released his second CD, The Song Is You, the next year. Those two CDs led to recognition of Ed by the Downbeat Critics Poll in the “Male Vocals, Rising Star” category. A 79 year old “rising star”? Go figure….

Born To Be Blue is the culmination of planning and reflection by Ed. He has assembled a stellar group for this project, comprised of pianist Randy Porter, bassist Robb Fisher, drummer Akira Tana, and tenor saxophonist Anton Schwartz. Ed succinctly states
the underlying philosophy for this work as: I believe that everyone is born to be blue. So many of us hold onto our sadness, but we need to shout about it, sing about it, so we can let it go.  And Ed does sing and shout his way through all 13 songs. Contrary to the CD’s title, this is not a blues work in the traditional sense. It could most appropriately be described as a jazz work about the blues.

Ed opens the CD with a heartfelt rendition of Nat Adderly’s “Old Country”. He mixes in Mel Torme’s “Born To Be Blue” and Abbey Lincoln’s “Throw it Away”. The journey continues through Leonard Bernstein’s “Some Other Time” and Thelonius Monk’s “Monk’s Dream” with lyrics by Jon Hendricks. There are no lulls or pleasant divergences to fill in the total presentation. Ed works, sings, shouts and croons his way through all of the pieces. This is a CD that demands you listen from start to finish, and you will be grateful that you did.

Roland Williams
KWMV 95.9 FM

NOTE: Born To Be Blue is available at cdbaby, iTunes and Amazon. Give it a listen — you will be hooked as another Ed Reed fan! Also, this CD will be in rotation soon on KWMV’s “Jazz Cafe” show.

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